{"id":457,"date":"2018-10-21T08:10:19","date_gmt":"2018-10-21T06:10:19","guid":{"rendered":"http:\/\/definition.nanninga.myds.me\/?page_id=457"},"modified":"2021-12-08T20:28:01","modified_gmt":"2021-12-08T19:28:01","slug":"16-relay-the-deucey","status":"publish","type":"page","link":"https:\/\/definition.nanninga.me\/en\/plus-15-28\/16-relay-the-deucey\/","title":{"rendered":"20. Relay the Deucey"},"content":{"rendered":"<p><strong>Starting formation<\/strong> &#8211; Parallel Ocean Waves.<\/p>\n<p>All Circulates in this definition refer to the\u00a0Original\u00a0Circulate path established by the ends of the original ocean waves. No dancer ever stops moving during this call; the pauses written into the definition (i.e., the action described as &#8220;half-circulate&#8221;) are there for clarity of description and for teaching purposes only.<\/p>\n<ul>\n<li><span id=\"RelaytheDeucey1\">Each end and the adjacent center dancer turn one-half (180\u00b0)\u00a0<\/span>.<\/li>\n<li><span id=\"RelaytheDeucey2\">The new centers of each ocean wave turn three-quarters (270\u00b0), while the others half-circulate, forming a six-person wave and two lonesome dancers\u00a0<\/span>.<\/li>\n<li><span id=\"RelaytheDeucey3\">The wave of six, working as 3 pairs, turns 180\u00b0, while the others half-circulate\u00a0<\/span>.<\/li>\n<li><span id=\"RelaytheDeucey4\">In the wave, the center 4 turn 180\u00b0, while the other four dancers half-circulate.<\/span><\/li>\n<li><span id=\"RelaytheDeucey5\">The wave of 6, again working as 3 pairs, turns 180\u00b0, while the others half-circulate.<\/span><\/li>\n<li><span id=\"RelaytheDeucey6\">Finally, the center 4 of the wave turn \u00be (becoming the centers of the new waves), while the outside 4 half-circulate to become the ends of the final waves.<\/span><\/li>\n<\/ul>\n<p class=\"styling\"><strong>STYLING:<\/strong> Basic swing thru styling is utilized for turning movements within the ocean wave formations. Circulating dancers do the circulate action with arms in natural dance position, blending to hands up ocean wave formation at the conclusion of the call.<\/p>\n<p class=\"timing\"><strong>Timing:<\/strong> 20<\/p>\n<p style=\"margin-bottom: .0001pt;\"><b><span style=\"font-size: 14.0pt; font-family: 'Tahoma',sans-serif; color: #0066b3;\">ARC Decisions<\/span><\/b><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: Tahoma, sans-serif; color: #ff0000;\">(July 2006) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: Is it proper to call Relay the Deucey from Two-Faced Lines? <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: No. The ARC voted this to be improper as the definition states that the call is to be danced by hand\/arm turns and NOT a partner trade action. <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: Tahoma, sans-serif; color: #ff0000;\">(June 2008) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: Is it proper to call Relay the Deucey from a Tidal Wave? <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: NO. The committee voted this is improper because this application does not comply with the CALLERLAB written definitions. <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: Tahoma, sans-serif; color: #ff0000;\">(July\/August 2009) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: Is it proper to fractionalize Relay the Deucey? Does this application comply with the CALLERLAB Plus Definition? <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: NO. The definition is a bit unclear about how many parts Relay the Deucey has but, it definitely does NOT have more than two parts. <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: Tahoma, sans-serif; color: #ff0000;\">(September\/October 2015) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: The calls given were; Heads Pass the Ocean and Heads (only) Relay The Deucey. The ending formation was a Quarter Tag. The caller said it was proper to call Relay The Deucey from a single Ocean Wave.&#8221; <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: The ARC voted that it is improper to call Relay the Deucey from a single wave. Neither the starting formation, nor the definition will allow this application. The call is an 8 person call and the definition of Circulate would prevent this action. <\/span><\/p>\n<p class=\"copyright\"><span style=\"font-size: 8pt;\"><em>\u00a9 Copyright 1997, 2000-2018 by CALLERLAB Inc., The International Association of Square Dance Callers. Permission to reprint, republish, and create derivative works without royalty is hereby granted, provided this notice appears. Publication on the Internet of derivative works without royalty is hereby granted provided this notice appears. Permission to quote parts or all of this document without royalty is hereby granted, provided this notice is included. Information contained herein shall not be changed nor revised in any derivation or publication.<\/em><\/span><\/p>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-page pdfprnt-bottom-left\"><a href=\"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/457?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/definition.nanninga.me\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print Page<\/span><\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>Starting formation &#8211; Parallel Ocean Waves. All Circulates in this definition refer to the\u00a0Original\u00a0Circulate path established by the ends of the original ocean waves. No dancer ever stops moving during this call; the pauses written into the definition (i.e., the <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/definition.nanninga.me\/en\/plus-15-28\/16-relay-the-deucey\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":448,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-457","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en","fd"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fd":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":17,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/457\/revisions"}],"predecessor-version":[{"id":2343,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/457\/revisions\/2343"}],"up":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/448"}],"wp:attachment":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/media?parent=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}