{"id":384,"date":"2018-10-21T07:20:27","date_gmt":"2018-10-21T05:20:27","guid":{"rendered":"http:\/\/definition.nanninga.myds.me\/?page_id=384"},"modified":"2021-12-08T20:15:39","modified_gmt":"2021-12-08T19:15:39","slug":"03-load-the-boat","status":"publish","type":"page","link":"https:\/\/definition.nanninga.me\/en\/plus\/03-load-the-boat\/","title":{"rendered":"07. Load the Boat"},"content":{"rendered":"<p><strong>Starting formation<\/strong><\/p>\n<div class=\"definition\">\n<p>Lines of four, with centers facing in, and the ends of each line facing the same (in or out) direction.<\/p>\n<p>The end dancers move forward around the outside, passing right shoulders with three moving end dancers, and turn one-quarter in (90\u00b0) to stand beside the third person passed, facing the center of the set as a couple. Simultaneously, the center four dancers <span id=\"LoadtheBoat1\"> Pass Thru,<\/span> <span id=\"LoadtheBoat2\">turn their backs to their momentary partners,<\/span> <span id=\"LoadtheBoat3\"> Partner Trade with their new partners,<\/span> and <span id=\"LoadtheBoat4\"> Pass Thru.<\/span><\/p>\n<p class=\"styling\"><strong>STYLING:<\/strong><\/p>\n<p class=\"styling\">The end dancers, while moving on the outside, leave enough room for the center dancers to work comfortably. Arms are held in natural dance position throughout the action, blending into the appropriate hand position for the next call.<\/p>\n<p class=\"timing\"><strong>Timing<\/strong>: 12<\/p>\n<p style=\"margin-bottom: .0001pt;\"><b><span style=\"font-size: 14.0pt; font-family: 'Tahoma',sans-serif; color: #0066b3;\">ARC Decisions<\/span><\/b><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: Tahoma, sans-serif; color: #ff0000;\">(August 2003) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: Is it proper to fractionalize LOAD THE BOAT? <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: Yes. The definition clearly defines four parts for both Centers and Ends. It is pointed out that the timing is a real problem and callers should make themselves aware of this. Also, the ends wind up back to back with each other after the first three parts.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"copyright\"><span style=\"font-size: 8pt;\"><em>\u00a9 Copyright 1997, 2000-2018 by CALLERLAB Inc., The International Association of Square Dance Callers. Permission to reprint, republish, and create derivative works without royalty is hereby granted, provided this notice appears. Publication on the Internet of derivative works without royalty is hereby granted provided this notice appears. Permission to quote parts or all of this document without royalty is hereby granted, provided this notice is included. Information contained herein shall not be changed nor revised in any derivation or publication.<\/em><\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-page pdfprnt-bottom-left\"><a href=\"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/384?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/definition.nanninga.me\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print Page<\/span><\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>Starting formation Lines of four, with centers facing in, and the ends of each line facing the same (in or out) direction. The end dancers move forward around the outside, passing right shoulders with three moving end dancers, and turn <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/definition.nanninga.me\/en\/plus\/03-load-the-boat\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":23,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-384","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en","fd"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fd":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/comments?post=384"}],"version-history":[{"count":13,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/384\/revisions"}],"predecessor-version":[{"id":2337,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/384\/revisions\/2337"}],"up":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/23"}],"wp:attachment":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/media?parent=384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}