{"id":199,"date":"2018-10-20T07:36:12","date_gmt":"2018-10-20T05:36:12","guid":{"rendered":"http:\/\/definition.nanninga.myds.me\/?page_id=199"},"modified":"2021-12-06T15:24:54","modified_gmt":"2021-12-06T14:24:54","slug":"23-grand-square","status":"publish","type":"page","link":"https:\/\/definition.nanninga.me\/en\/basic-1-21-32\/23-grand-square\/","title":{"rendered":"23. Grand Square"},"content":{"rendered":"<div class=\"definition\">\n<div class=\"starting-formations\"><b>Starting formation<\/b><\/div>\n<div class=\"starting-formations\">Squared Set<span class=\"full\"> (also see Comments)<\/span><\/div>\n<div><\/div>\n<div class=\"command-examples full\">\n<p><b>Command examples<\/b><\/p>\n<ul>\n<li>Sides Face, Grand Square<\/li>\n<li>Sides Face, Grand Square (16 beats later) Reverse<\/li>\n<li>Heads Face, Grand Square<\/li>\n<li>Heads Rollaway; Sides Face, Grand Square<\/li>\n<\/ul>\n<\/div>\n<div class=\"dance-action full\">\n<p><b>Dance action<\/b><\/p>\n<p>The designated dancers turn to face their partner. All dancers then perform the following series of steps, each of which takes one beat of music. Dancers are to be reminded that these are square dancing steps and NOT just walking.<\/p>\n<p>Step (count 1), Step (count 2), Step (count 3), Step-Turn In (count 4)<br \/>\nStep (count 5), Step (count 6), Step (count 7), Step-Turn In (count 8)<br \/>\nStep (count 9), Step (count 10), Step (count 11), Step-Turn In (count 12)<br \/>\nStep (count 13), Step (count 14), Step (count 15), Step-Pause to Reverse (count 16)<br \/>\nStep (count 17), Step (count 18), Step (count 19), Step-Turn In (count 20)<br \/>\nStep (count 21), Step (count 22), Step (count 23), Step-Turn In (count 24)<br \/>\nStep (count 25), Step (count 26), Step (count 27), Step-Turn In (count 28)<br \/>\nStep (count 29), Step (count 30), Step (count 31), Step-You\u2019re Home (count 32)<\/p>\n<p>At all times during Grand Square, every dancer is facing another dancer either nose-to-nose or across the square.<\/p>\n<p>On &#8220;Step(1), Step(2), Step(3), Step(4)&#8221; dancers who are facing nose-to-nose take 4 steps backwards away from each other. Dancers who are facing across the square take 4 steps forward until they are nose-to nose.<\/p>\n<p>On the 4th Step-Turn In dancers turn in place 90 degrees during the step to face another dancer nose-to-nose or across the square. Like the other Steps, this takes one beat.<\/p>\n<p>This continues for each group of 4 steps.<\/p>\n<p>On &#8220;Step-Pause to Reverse&#8221; dancers take the 4th Step and then prepare to reverse directions without turning. The next \u201cStep\u201d will be in the opposite direction, as dancers start to retrace their steps.<\/p>\n<p>On &#8220;You&#8217;re Home&#8221; those dancers designated to &#8220;face&#8221; at the start of the call face back in, making a squared set. The others take the last (fourth) Step and freeze in place.<\/p>\n<\/div>\n<div class=\"ending-formation\"><b>Ending formation<\/b><\/div>\n<div class=\"ending-formation\">Squared Set<span class=\"full\"> (more generally, same as starting formation before designated dancers face).<\/span><\/div>\n<div><\/div>\n<div class=\"timing\"><b>Timing<\/b><\/div>\n<div class=\"timing\">32<span class=\"full\">. This call should be danced without rushing so that each Step and Step-Turn In corresponds to one beat of music and everyone returns home simultaneously. Grand Square should be called so that dancers start on beat 1 of an 8-beat phrase (preferably on beat 1 of a 32-beat phrase). Also see &#8220;Additional Detail: Timing&#8221;.<\/span><\/div>\n<div><\/div>\n<div class=\"styling\"><b>Styling<\/b><\/div>\n<div class=\"styling\">Men&#8217;s arms in natural dance position; women may work skirts with natural swinging action. Adjacent dancers who walk forward or backward together should use a couples handhold. <span class=\"full\">A wide variety of embellishments may be encountered. (See &#8220;Additional Detail: Styling: Embellishments&#8221;.)<\/span><\/div>\n<div><\/div>\n<div class=\"comments full\">\n<p><b>Comments<\/b><\/p>\n<p>From a Squared Set, the caller must designate who faces for Grand Square. It is improper to call &#8220;Grand Square&#8221; and expect &#8220;Sides Face, Grand Square&#8221;.<\/p>\n<p>The caller may designate the number of steps to take (e.g., &#8220;Grand Square, 6 Steps&#8221;).<\/p>\n<p>The following variations on Grand Square may require workshopping.<\/p>\n<p>Some callers, observing that each dancer dances the edges of a square (in their quadrant) and then reverses the path, relax the rule that &#8220;every dancer is facing another dancer either nose-to-nose or across the square&#8221;. For example, &#8220;Girls turn and face your partner, Everyone Grand Square&#8221; has each dancer dancing the edges of the same square, following the same pattern of stepping and turning as if they were facing other dancers (nose-to-nose or across the square) at the appropriate times.<\/p>\n<p>In &#8220;Heads Star Thru; Sides Face, Grand Square&#8221;, dancers dance the edges of the same squares, making the usual turns, even though some of the dancers start and finish in the center of the set.<\/p>\n<\/div>\n<\/div>\n<p style=\"margin-bottom: .0001pt;\"><b><span style=\"font-size: 14.0pt; font-family: 'Tahoma',sans-serif; color: #0066b3;\">ARC Decisions<\/span><\/b><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: Tahoma, sans-serif; color: #ff0000;\">(March 2017) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: Given the 2 sequences below resulting in the starting formation for the Grand Square, is it proper to call Grand Square from this formation: <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Heads Square Thru; Split two around one to a line; Centers face; Grand Square <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">And: <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Heads Pass Thru; Separate around two; Line up 4; Centers Face; Grand Square <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: ARC determined this to be improper. The current definition does not include starting formation of lines. The definition states: Starting formation: Squared Set (also see Comments). Comments section also refers to starting position as squared set. ARC\u2019s mandate, unless otherwise requested, is to view the application through the lens of the program the call resides in, and in that regard, the members feel Grand Squares from Lines will create confusion. <\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"definition\">\n<p class=\"copyright\"><span style=\"font-size: 8pt;\"><em>\u00a9 Copyright 1994, 2000-2018 by CALLERLAB Inc., The International Association of Square Dance Callers. Permission to reprint, republish, and create derivative works without royalty is hereby granted, provided this notice appears. Publication on the Internet of derivative works without royalty is hereby granted provided this notice appears. Permission to quote parts or all of this document without royalty is hereby granted, provided this notice is included. Information contained herein shall not be changed nor revised in any derivation or publication.<\/em><\/span><\/p>\n<\/div>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-page pdfprnt-bottom-left\"><a href=\"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/199?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/definition.nanninga.me\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print Page<\/span><\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>Starting formation Squared Set (also see Comments) Command examples Sides Face, Grand Square Sides Face, Grand Square (16 beats later) Reverse Heads Face, Grand Square Heads Rollaway; Sides Face, Grand Square Dance action The designated dancers turn to face their <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/definition.nanninga.me\/en\/basic-1-21-32\/23-grand-square\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":184,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-199","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en","fd"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fd":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/comments?post=199"}],"version-history":[{"count":13,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/199\/revisions"}],"predecessor-version":[{"id":2229,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/199\/revisions\/2229"}],"up":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/184"}],"wp:attachment":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/media?parent=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}