{"id":154,"date":"2018-10-19T21:21:38","date_gmt":"2018-10-19T19:21:38","guid":{"rendered":"http:\/\/definition.nanninga.myds.me\/?page_id=154"},"modified":"2021-12-06T08:56:52","modified_gmt":"2021-12-06T07:56:52","slug":"16-ladies-chain-family","status":"publish","type":"page","link":"https:\/\/definition.nanninga.me\/en\/basic-1-10-20\/16-ladies-chain-family\/","title":{"rendered":"16. Ladies Chain Family"},"content":{"rendered":"<div class=\"definition\">\n<p class=\"full\">The general action of Ladies Chain has two or more women each leave their current man, star (or right pull by) with each other, and be courtesy turned by a man. The caller indicates which women are involved and how far they star.<\/p>\n<h3><span style=\"color: #ff0000;\">16a. Two Ladies Chain (Regular &amp; 3\/4)<\/span><\/h3>\n<p class=\"full\">This definition covers the regular Two Ladies Chain. Two Ladies Chain 3\/4 is described in the comments section.<\/p>\n<div class=\"starting-formations\"><b>Starting formation<\/b><\/div>\n<div class=\"starting-formations\">Normal Facing Couples<\/div>\n<div><\/div>\n<div class=\"command-examples full\">\n<p><b>Command examples<\/b><\/p>\n<ul>\n<li>Head Ladies Chain<\/li>\n<li>Right and Left Thru; Two Ladies Chain<\/li>\n<li>Right and Left Thru; Ladies Chain<\/li>\n<li>Side Ladies Chain Over; Side Ladies Chain Back<\/li>\n<\/ul>\n<\/div>\n<div class=\"dance-action full\"><b>Dance action<\/b><\/div>\n<div class=\"dance-action full\">Women step toward each other and Right-Hand Star 1\/2 (or Right Pull By). Each man Courtesy Turns the woman coming toward him to end in Facing Couples.<\/div>\n<div><\/div>\n<div class=\"ending-formation full\"><b>Ending formation<\/b><\/div>\n<div class=\"ending-formation full\">Facing Couples<\/div>\n<div><\/div>\n<div class=\"timing\"><b>Timing<\/b><\/div>\n<div class=\"timing\">Facing Couples: 6; Squared Set: 8<\/div>\n<div><\/div>\n<div class=\"styling full\"><b>Styling<\/b><\/div>\n<div class=\"styling full\">Each man releases his partner and sidesteps to the right while turning his right shoulder slightly toward the center of the formation blending into the Courtesy Turn. Women use skirtwork for the Courtesy Turn (and in the star, if used).<\/div>\n<div><\/div>\n<div class=\"comments full\">\n<p><b>Comments<\/b><\/p>\n<p>Two Ladies Chain is improper if either couple is sashayed or same-sex.<\/p>\n<p>From a squared set with the men at home, Head Ladies Chain is danced by those currently at the Heads position, even if this involves the original Side women (e.g., after Four Ladies Chain 3\/4).<\/p>\n<p>The next four comments refer to uncommon or regional applications of Ladies Chain and may require workshopping.<\/p>\n<ul>\n<li>From a Squared Set, on the call Head Ladies Chain 3\/4, often called as \u201cHead Ladies Chain 3\/4, Side Men Turn Them\u201d, the head women will do their part of a Four Ladies Chain 3\/4 (see below) using a 2-dancer star. The Courtesy Turn will be with the side men, and the ending position will be lines of 3 (boy, girl, girl) at the sides of the set with lonesome head men at the heads of the set. The timing of this application is 10.<\/li>\n<li>From a Squared Set, &#8220;Head Ladies Chain Right&#8221; or &#8220;Head Ladies to the Right, Chain&#8221; has each Head couple work with the Side couple on their right. These couples momentarily face, do the call, and then adjust back to a Squared Set. Head Ladies Chain Right is the same as Side Ladies Chain Left.<\/li>\n<li>From Facing Lines, \u201cEnd Ladies Chain on a Diagonal\u201d has the right-end women chain with each other, to be Courtesy Turned by the adjacent men, ending in Facing Lines.<\/li>\n<li>From Facing Tandems with women in front, the variation &#8220;On A Double Track, Ladies Chain&#8221; can be used: the women Right Pull By and Courtesy Turn with the far man. For example, Couples Circulate, Tag the Line, Cloverleaf, On a Double Track, Ladies Chain. This may also be called as &#8220;Single File, Ladies Chain&#8221;.<\/li>\n<\/ul>\n<\/div>\n<h3><span style=\"color: #ff0000;\">16b. Four Ladies Chain (Regular &amp; 3\/4)<\/span><\/h3>\n<div class=\"starting-formations\"><b>Starting formation<\/b><\/div>\n<div class=\"starting-formations\">Squared Set<span class=\"full\">, Infacing Circle of 8, or a &#8220;turning your partner left&#8221; formation (the dynamic formation obtained from a square plus all arm turn your partner by the left an indefinite amount)<\/span><\/div>\n<div><\/div>\n<div class=\"command-examples full\">\n<p><b>Command examples<\/b><\/p>\n<ul>\n<li>Four Ladies Chain<\/li>\n<li>Four Ladies Chain 3\/4<\/li>\n<li>All Four Ladies Chain Across<\/li>\n<li>Chain Those Ladies Over and Back (i.e., twice)<\/li>\n<li>Four Ladies Chain; Chain Them Home (i.e., twice)<\/li>\n<li>Do Paso, partner left, corner right, partner left; Four Ladies Chain<\/li>\n<li>Shoot the Star; Four Ladies Chain<\/li>\n<\/ul>\n<\/div>\n<div class=\"dance-action full\"><b>Dance action<\/b><\/div>\n<div class=\"dance-action full\">All four women Right-Hand Star 1\/2 (or 3\/4, if designated). All Courtesy Turn to face the center of the set.<\/div>\n<div><\/div>\n<div class=\"ending-formation\"><b>Ending formation<\/b><\/div>\n<div class=\"ending-formation\">Squared Set<\/div>\n<div><\/div>\n<div class=\"timing\"><b>Timing<\/b><\/div>\n<div class=\"timing\">Regular: 8, 3\/4: 10<\/div>\n<div><\/div>\n<div class=\"styling full\"><b>Styling<\/b><\/div>\n<div class=\"styling full\">Men use the Two Ladies Chain styling. Women use a palm or finger tip star. If at least two women are wearing full skirts, an elegant variation is for each lady to pick up and hold a bit of the right edge of her skirt, or an arm&#8217;s length of a long skirt, as she reaches into the star. This arm&#8217;s-length hold can be continued through the Courtesy Turn at a comfortable height and longer if the next call is Chain Them Back.<\/div>\n<div><\/div>\n<div class=\"comments full\">\n<p><b>Comments<\/b><\/p>\n<p>Four Ladies Chain is improper if any couple is sashayed or same-sex.<\/p>\n<p>Some callers use Four Ladies Chain from normal facing lines. This is danced as if all couples were directly facing the center of the set except that it ends in the same facing lines. In some areas this is an extended application, and in other areas it is considered a gimmick. (See &#8220;Part 4: Additional Detail: Commands: Gimmicks&#8221;.)<\/p>\n<\/div>\n<h3><span style=\"color: #ff0000;\">16c. Chain Down the Line<\/span><\/h3>\n<div class=\"starting-formations full\"><b>Starting formation<\/b><\/div>\n<div class=\"starting-formations full\">General Line with the centers holding right hands<\/div>\n<div><\/div>\n<div class=\"command-examples full\"><b>Command example<\/b><\/div>\n<ul>\n<li class=\"command-examples full\">Chain Down the Line<\/li>\n<\/ul>\n<\/div>\n<div><b>Dance action<\/b><\/div>\n<div>Centers Turn 1\/2 By The Right while ends adjust as necessary. Then the ends Courtesy Turn the centers to finish in Facing Couples.<\/div>\n<div><\/div>\n<div class=\"definition\">\n<div class=\"ending-formation\"><b>Ending formation<\/b><\/div>\n<div class=\"ending-formation\">Facing Couples<\/div>\n<div><\/div>\n<div class=\"timing\"><b>Timing<\/b><\/div>\n<div class=\"timing\">8<\/div>\n<div><\/div>\n<div class=\"comments full\"><b>Comment<\/b><\/div>\n<div class=\"comments full\">At Mainstream, Chain Down the Line starts only with women as centers and men as ends because Courtesy Turn is restricted to men turning women.<\/div>\n<\/div>\n<div><\/div>\n<div><span style=\"font-size: 14pt; font-family: tahoma, arial, helvetica, sans-serif; color: #0000ff;\">ARC Decisions<\/span><\/div>\n<div>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #ce181e;\">(January 2000) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">Q: Would the call &#8220;Chain Down the Line 3\/4&#8221; be an extension of &#8220;Chain Down the Line&#8221; from a quarter tag formation with girls in the center? The same for &#8220;T&#8221; bone lines and diamonds? <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">A: Improper. <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #ce181e;\">(May 2012) <\/span><\/p>\n<p style=\"margin-bottom: .0001pt;\"><span style=\"font-family: 'Tahoma',sans-serif; color: #0066b3;\">The ARC made the following decision: &#8220;Chain Down the Line 3\/4&#8221; and &#8220;3\/4 Chain Down the Line&#8221; were determined to be the same call therefore, they are both improper in accordance with the ARC decision made in 2000.&#8221; <\/span><\/p>\n<\/div>\n<div class=\"definition\">\n<p class=\"copyright\"><span style=\"font-size: 8pt;\"><em>\u00a9 Copyright 1994, 2000-2018 by CALLERLAB Inc., The International Association of Square Dance Callers. Permission to reprint, republish, and create derivative works without royalty is hereby granted, provided this notice appears. Publication on the Internet of derivative works without royalty is hereby granted provided this notice appears. Permission to quote parts or all of this document without royalty is hereby granted, provided this notice is included. Information contained herein shall not be changed nor revised in any derivation or publication.<\/em><\/span><\/p>\n<\/div>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-page pdfprnt-bottom-left\"><a href=\"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/154?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/definition.nanninga.me\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print Page<\/span><\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>The general action of Ladies Chain has two or more women each leave their current man, star (or right pull by) with each other, and be courtesy turned by a man. The caller indicates which women are involved and how <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/definition.nanninga.me\/en\/basic-1-10-20\/16-ladies-chain-family\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":120,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-154","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en","fd"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fd":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":13,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/154\/revisions"}],"predecessor-version":[{"id":2217,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/154\/revisions\/2217"}],"up":[{"embeddable":true,"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/pages\/120"}],"wp:attachment":[{"href":"https:\/\/definition.nanninga.me\/en\/wp-json\/wp\/v2\/media?parent=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}